Foreign filmmakers and TV crews spent nearly 5 billion crowns last year in the Czech Republic, a jump of nearly two billion crowns compared to 2017. With the state having paid out some 800 million crowns through an incentives scheme, the return on investment is solid. But competition is fierce – and heating up.
For over two years now, the scheme has offered film and TV productions cash rebates on qualifying Czech and international “spend”, as they say in the business, including all work done in post-production.
It now offers a 20 percent rebate on qualifying Czech spend and up to a 10 percent rebate on qualifying international spend (calculated as a 66 percent rebate on withholding tax paid here by international casts and crews).
What’s more, there is no cap on a per-project grant and, because it lacks a sunset date, studios consider it reliable.
But while foreign productions spent twice as much here in 2018 as they did in 2017, are the incentives enough? Perhaps not, Minister of Culture Antonín Staněk (Social Democrats) told Czech Radio.
“As the market evolves, of course it will be necessary to address this issue. If we were to consider a change in the future, we would of course have to find the financial resources to fund it.”
Competition to attract international audiovisual productions has always been fierce. Yet the 2016 revision was hard fought – and years in the making, following on a notable slump in visiting foreign productions a decade earlier.
Many countries have long offered more attractive investment incentives. Neighbouring Hungary, for example, offers a rebate of up to 30% of total cost.
“The international crews do not have to bring staff. They can fill all the positions from the top to the bottom with Czech professionals.”
Prague offers unrivalled gothic and baroque architecture and state-of-the-art facilities, not least at the famous Barrandov Studio. The Karlovy Vary International Film Festival, among the world’s oldest, has also become the region’s leading film event.
Still, proponents argue, to remain competitive, the Czech state may soon need to boost its incentives to at least 25 percent level, which would boost state coffers by another 2 billion crowns a year. Doing so would also pay off in terms of generating film tourism.
Doing so would pay off in terms of generating film tourism. Fans like to visit the locations where their favourite films or TV series were shot, and a recent boom in tourism by Chinese and South Koreans stems directly from the popularity of productions shot here.
One of the biggest projects to have shot partly in the Czech Republic in recent years was the American series Knightfall. Now in its second season, the series recounts the final bloody days of the Knights Templar in 14th century France.
“They really used the services of every type of traditional craftsmen, such as makers of armour, historical costumes, and such things in which Czechs have traditionally excelled. What’s more, Kinghtfall was really a high-budget series, so huge numbers were hired on for this project.”
The State Fund for Cinematography, which administers the incentives scheme programme, is also supporting local screenwriter-director Petr Jákl’s Czech-American biopic Jan Žižka, about the 15th-century Bohemian general who led the Czech Hussites to victory in a series of confrontations in religious wars.
American actor Ben Foster will portray Žižka in the film, which has the working title “Medieval”, opposite British veteran actor Michael Caine.
Forgotten Czech net bag makes a comeback
Iconic Czech brands that survived competition from the West after the fall of communism
Czechs and Germans in 1930s Czechoslovakia: a complex picture
Cold War “king of Šumava” story brought to life in new film by Irish director
Unions: Strike Wednesday will hit most Czech schools