Archive: Culture | Dance

Prague is hosting a major traditional culture fest this week - the Prague Folklore Days. Around 50 amateur folklore ensembles from Europe, Asia and Africa have gathered in the Czech capital to show off their musical and dancing skills to the public in various parts of the city. The event launched on Thursday and will continue until Saturday evening.

Prague’s week-long Zero Point Festival (Nultý bod), which showcases provocative and unexplored dance and theatre genres, is celebrating its tenth anniversary.

It gets underway on Monday night with nine performances at Divadle v Celetné theatre that organiser say aim to shock and provoke the audience.

Among the most prominent guest of this year's edition is Canadian dancer and choreographer Dana Michel, whose piece Cutlass Spring explores boundaries of the human body and sexuality.

Among the Czech troupes is Tantehorse, who will perform a staging of an escape game focused on the lives of people living in the Czech border regions known as the Sudetenland.

Traditional Easter celebrations in the Czech Republic have a strong religious connotation. However, many of the customs connected with this season date back to pre-Christian days. This is especially true of the eastern part of the country. Moravia is a historically and culturally distinct region and this is reflected also in the way local people celebrate this most important Christian holiday of the year.

Czech choreographer and former dancer Jiří Kylián was inducted to the prestigious French Academy of Fine Arts at a ceremony in Paris on Wednesday.

Kylián, who is 71, is only the third Czech to become a member of the Academy since its founding in 1816, along with musician Antonín Rejcha and painter Václav Brožík.

The great Czech choreographer is perhaps best known for his work with the Nederlands Dans Theatre in The Hague. As its artistic director, he created over 50 works for the company.

“Masopust”, the time of carnivals which historically ended on Ash Wednesday, is the oldest continuous holiday feast in the Czech lands. In terms of cultural memory, it is also the longest still transmitted – its significance and meaning passed down from generation to generation.

This Wednesday, December 5th, Czech children eagerly await the visit of the bearded St. Nicholas and his two companions – an angel and a devil. The much treasured tradition has been going strong for centuries and is unlikely to disappear any time soon.

Craftsmen producing glass Christmas ornaments and resist block printing, who were nominated last year, are eagerly awaiting the decision of a special UNESCO committee that is to decide whether they will have the honour of being listed on its Intangible Cultural Heritage list. Meanwhile the country’s beer barrel coopers, bagpipers and chenille fabric producers are hoping to be nominated in the future.

The Trebbia foundation for artists and art benefactors will hand out its annual awards at a ceremony in the Spanish Hall of Prague Castle on Sunday evening. The prize for lifetime achievement will go to Czech opera singer Eva Randová.

Slovak photographer Zuzana Mináčová and Czech-born Darja Klimentová, former Prima Ballerina of English National Ballet, will be among the recipients of the award for creative activities.

The 30th edition of the Tanec Praha festival of dance began on Friday night with a performance of East Shadow by the great Czech choreographer Jiří Kylián at Prague’s Ponec theatre. Mr. Kylián, who is 71, was recently made a member of the prestigious Académie francaise. He was involved in the inception of Tanec Praha in the late 1980s.

Other highlights of this year’s edition of the festival include SUNNY by the Israeli choreographer Emanuel Gat and Dancing Grandmothers by the Korean choreographer Eun-Me Ahn.

Burning witches on April 30-May 1 is an ancient pagan tradition which developed in various European countries including the Czech Republic. People believed witches were especially active on that night and that they flew above people’s heads and later trampled all the crops sown in the fields. That’s the reason why fires were lit with the express aim of burning the witches.