Sally Hawkins received a best actress award at the Golden Globes for her portrayal of a relentlessly positive school teacher in the British film Happy-Go-Lucky. Mike Leigh was nominated for an Oscar for the movie’s screenplay, which is somewhat ironic as his films don’t have scripts as such: the director of Naked and Secrets and Lies sets out a basic premise, which the actors develop through improvisation in rehearsals. At its Czech premiere at the weekend I spoke to Mike Leigh about Happy-Go-Lucky, and his unusual approach to filmmaking.
A new translation of the Bible into modern-day Czech hit the bookshelves on Wednesday. The New Testament was actually published a decade ago, though only now have translators managed to complete the Old Testament. Alexandr Flek, the head of the team behind “The Bible – a 21st Century Translation”, explains why the new Czech translation of the Bible has been created.
In the 1970s the communist authorities tolerated popular music as long as it was insipid, colourless and unoriginal – everything that the Czech psychedelic rock band The Plastic People of the Universe most definitely was not. Their music was inspired by Frank Zappa and The Velvet Underground, their lyrics anarchic, their behaviour unconventional and their hair long. In 1976 four members of the band were sentenced to prison terms for what was described as “organised disturbance of the peace”, and in December of the same year Czechoslovak Radio broadcast
Antonín Dvořák’s Rusalka, the story of a water nymph who falls in love with a human prince, has just been performed for the last time this season at the Metropolitan Opera in New York. The Met’s production starred the soprano Renee Fleming and was directed by the renowned Czech conductor Jiří Bělohlávek, who spoke to Radio Prague on the eve of the final performance.
In less than three weeks time the results of the biggest literature prize in the Czech Republic, the Magnesia Litera, will be announced and excitement has been rising since the announcement of the nominated books last month. The prize is unusual in that it has nine different categories including, apart from fiction and poetry, books for young readers, non-fiction and best translation. As well as winners in each category an overall "best book" is also chosen. Given the vast number of books under consideration, judging the competition is a mammoth
In the Czech Republic and increasingly even abroad, violinist Pavel Šporcl enjoys the kind of name recognition that aspiring rock stars dream of. A natural talent, he became the enfant terrible of the classical music world when first he arrived on the scene, forgoing a tuxedo for a bandana and taking an interactive approach to his concerts. Having toured the world over and recorded roughly a dozen albums, 36-year-old Pavel Šporcl is not only a dominant but a defining force in classical music. I met Pavel as he was preparing for a concert, and asked
Dům u Rotta is one of the most famous buildings by Prague’s Old Town Square, with a facade dating back to 1890 but foundations going back six hundred years. For a century-and-a-half the Neo-Renaissance building was the home of the famous Rott hardware store, but later was turned into a delicatessen and then a glassware and crystal seller. Now, an announced change: the site will soon reopen as a famous international franchise, the Hard Rock Café.
TV dramas in the Czech Republic often aren’t bad, but occasionally something comes along which is a head above the rest. Last autumn, it was a dramatic series on commercial broadcaster Nova, entitled Soukromé pasti (Private Traps). 12 separate stories centering on characters in everyday dilemmas - which critics praised for excellent writing, acting and psychological depth. The project was overseen by filmmaker Tereza Kopáčová, one of the best-known names in the Czech TV business. Her work and Soukromé pasti are the subject of this Panorama.
The 1960s had seen a thriving musical scene in Czechoslovakia, which had been broadly tolerated by the regime, especially during the 1968 Prague Spring. With the political clampdown of the early 70s, rock and pop music were also to suffer. But this was a gradual process, and, initially at least, the communist authorities were careful not to go too far to alienate young people.